The Vase That Survived, The Beauty of Bisque, & Blue Glazes: The Auction Beat
compiled by Kate Nixon
Decorative Arts Auction, hosted by Treadway Gallery
May 1st at 11 AM EST
Online, phone and absentee bidding only
Private viewings available April 25th – April 30th, 10:00 AM – 5:00 PM EDT
Ceramics up for bid include two items from Newcomb College: a painted and high-glaze creamer ($4,500 to $5,500) as well as a large (14 inches high) matte glaze vase at $9,000 to $12,000 with a story. While the present owner took ownership of the large vase in the 1990’s from her mother-in-law from New Orleans and this large and impressive vase survived the 2018 Camp Fire in Paradise, CA. One particular Pewabic vase with an iridescent glaze is estimated to sell in the $3,500 to $4,500, range while a detailed and rare tile out of Santa Barbara, CA by Frederick Rhead is expected to bring upwards of $5,500. The tile is inscribed on the back: “Mission Ridge and the Sea from Foot Hills in Mission Canyon.” Also includes in Treadway’s range of ceramics — early Grueby, Van Briggle, Rookwood, Rozane, North Dakota School of Mines, a collection of Niloak, Weller pottery, Fulper, Saturday Evening Girls, and Marblehead.
For furniture offerings, a classic Gustav Stickley chalet desk ($1,500 to $2,500) will be offered next to a number of Roycroft works, including a meditation chair for $1200 to $1700, two very nice armchairs, a dining table, and a very rare set of Grove Park Inn dining chairs. Originally made in 1919, the chairs are offered in their original finish with minor variation. One chair out of the eight has the Roycroft orb and cross on the front. The eight-chair set will start at $4,000 and has a $5,000 to $7,000 estimate.
Fine art includes woodcuts by Arthur Wesley Dow and Helen Hyde, colored etchings and paintings by E.T. Hurley, and paintings by Carl Rawson, Frederick Grant and Colette Heldner. A number of works by Mary Louise McLaughlin will also be offered.
The auction begins at 11AM EST Sunday May 1st. All lots are available for preview. Please call 513-321-6742 or email firstname.lastname@example.org to arrange a time for private viewing. The sale will be closed to the public but there will be bidding via phone, absentee, and the internet via Live Auctioneers and Invaluable. As usual, everything is guaranteed and shipping is available worldwide.
View our picks below. What auction lots will you be looking at? Let us know on Facebook!
All descriptions and images courtesy of Treadway Gallery.
Newcomb College by Henrietta Bailey
New Orleans, LA
14″h x 10″w
Provenance: A California collection. The present owner from California acquired the vase in the early 1990’s from her mother in law, Ouida Barnes Rice from New Orleans. This vase survived the 2018 Camp Fire in Paradise, Ca.
Frederick Rhead tile
Santa Barbara, CA
3″h x 5.5″w
Inscribed on back, Mission Ridge and the Sea from Foot Hills in Mission Canyon. Excellent condition, very rare and beautifully detailed.
Estimate: $5,500 – $7,500
8.5″h x 8″dia
8.25″h x 6″dia
signed with red decal
45.5″h x 24″w x 16.5″d
Ohr Bisqueware, Blue Glazes, & More: Object & Home at Rago’s
On April 12th, Rago Arts and Auction Center presented their annual Object & Home auction with a large collection of Arts and Crafts style art pottery, artwork, lighting, furniture and more in a variety of styles from both American and European ceramics, fine art and decorative arts.
Among the large and impressive selection of art pottery in Rago’s catalog, the selection of bisque earthenware vases created by George Ohr were particularly noted for the importance of the line to Ohr himself. On the Rago website in the description of each of the bisque earthenware lots, David Rago describes his first meeting of the antiques shop owner who bought 10,000 of Ohr’s vases from his surviving son, Ojo Ohr. Instead of viewing them as unfinished, Ohr intentionally left them unglazed as the purest form of his art. “In other words, not only were his bisque pieces truly “finished” but they also represented his highest, most complete expression. After decades of turning and glazing his vessels, Ohr settled for simplicity of color on pieces that were at times his most complicated and abstract.”
See an image of the bisque earthenware Ohr vases below as well as other highlights of the Object & Home auction:
- A tall leaded slag glass landscape window in the Arts and Crafts style sold for a realized price of $4,375, more than five times the high estimate of $800! Made in 1920, the window that stands over 4 feet tall and features a stained glass lakeside view, was sold in one single bid.
- The beloved pottery firm Grueby was represented through both green and blue vases: a green vase with flowers and leaves ($2,500 – $3,500) sold for $3,500 while a blue cabinet vase went for $1,125.
- One oaken dresser with an angled mirror provided by Liberty & Co sold for $1,820 while a Gustav Stickley drop-front desk sold for $1,000.
- George Ohr’s bisque earthenware pots all sold at or above their high estimates: two bottle vases made of the bisque earthenware from Ouroboros Art Pottery in Richmond were purchased for an impressive $4,000 after a competitive bidding war. Ohr’s color glazed vases expected also sold well: one small blue, white, and green glazed vase ($1,200-$1,600) of Ohr’s from a private collection sold for $5,000.
A beautiful metallic glazed earthenware vase from Weller Pottery sold for $2,500 after another competitive bidding war. The iridescent flower vase was designed by Jacques Sicard, a frenchman who came to Zanesville, OH to develop a metallic glaze. The rarity of the pots (only a third of the resulting vases were marketed to the public) and the metallic glaze contributed to the public interest of this special vase.
- Likewise, the colorful – and affordable – Fulper Pottery was represented well with a rare Vasekraft plafonnier, a blue Crystalline glazed vase, a blue four-handled vase and a Chinese Blue Flambe glazed vase among others.
David Rago, through his website, said the following about Ohr’s bisqueware: “Just as Gustav Stickley chose quartersawn oak for his furniture, allowing the expressive grain of the wood to serve as intrinsic decoration, Ohr let the medium of clay speak for his art…These pots exhibited a purity of idea and design, misunderstood for so long, that began to attract serious buyers beginning in about 1990.”